GOING WITHOUT SAYING


Your beard, though grown long and matted,

retained its ginger streaks.

Visiting after the second stroke

I’d become used to your silence:

a mind withdrawing, seeking

in the still life of washing up, some pattern.

Going without saying.

 

Yet we talked more easily then

in that drab assessment unit.

Our currency whatever fragments

came to mind: random Italian,

the Ministry of Food, buses –

Midland Red and the Outer Circle.

In glimpses from a splintered mirror,

side by side my unasked questions.

 

Had there been no qualms

about that no-helmet nine-year-old 

riding pillion on your Lambretta?

I gripped tightly as I could.

In later years, as high summer dawns broke,

did you return to bed

after dropping me to ring birds in the marshes?

Reductio ad mediocritatem:

why, on your Vienna Garrison pass,

had you jotted that?

 

And how heavy had that projector been?

Ferried home, and followed

by reels in foot-wide storage cans

to show, when the film was threaded,

Far From The Madding Crowd

on our front room wall.

You were surprised I knew of your uncle,

him in the Irish Post Office:

ever the sceptical, “I doubt it”.

 

Yes, there were cracks in the varnish:

a suspicion of nurses, counted

two by two on fingers.

The insistence that doors be left open -

and in your pyjama pocket, fifty pence for phone call -

to be always sure of escape.

Each thin-socked, shuffled step placed

painstakingly before the next.

Going without saying.

 

Further on. You’re sucking tea through a straw,

head so stooped that I must crouch

to meet your eyes.

Few words. My hands clasp yours,

by thickened nails the hold’s returned.

I kiss your freckled crown,

the hair on tissue paper skin cropped close.

 

Yesterday there was no grip left.

Pupils rolled under lids,

your eyes dry.

Full shaved again after thirty years

I see revealed in skeletal cheeks,

revenant, your own father’s face.

Come without knocking.

 

You always said the darkest hour

comes just before the dawn.

Our moon now is a clipped nail -

last thing to stop growing –

and that sky finger of five red lights

splits the black horizon

of goodbye, tears gathering

at the crossroads of ten to four.

 

No more debate turning

on the sixpence of a word’s interpretation.

Nothing would be a lesson

if it didn’t come too late.

As morning breaks you’re laid flat,

comfortable for first time in weeks.

Gone without saying.

 

 

 iii.2013 – iii.2020

TAKING THE BUS HOME (Newport – Ventnor)



Small shops – Zen Beauty, Game Shop and Noodle Pot – approach the school corner, a redbrick bounded playground. Front seat, double-deck, I am a camera translating the overlooked. Double-checking the cow parsley fringes as mist descends. The poet as pissed impressionist.

Down familiar chutes and rising into fog, wind whines over engine drone. We stop twice for Rookley’s new bungalows, making up time already. Patience, patience.
Is there still a dogs’ home waiting at Bohemia Corner?

Remembering a first fondling of breasts at Godshill’s bus stop. At sixteen I got no further; write what you know. Not the last sorry on my CV either. Tearing on through Sandford where my father always pulled off for petrol.

Taking, like the rolling English road, a long way right at Whitley Bank to head for Wroxall – its eccentrics restrained only by temporary traffic lights. The crap new names of pubs: Four Seasons? Who wants Vivaldi when you’re after a pint?

All sports floodlit at Upper Ventnor but not a player in sight. A blank green screen. Not so the Olympic cartoon mural, hand painted huge on a whole house side. Torch and map, in case one lacked direction.

The twisty turning descent passes by what was Julisa’s , from where we were thrown out. No place for rugby scrums on their dance floor. What else is missing? The Hole In The Wall has been filled in. Where’s The Rex and its silver screen? At least The Volunteer remains and serves.

More time to make up, tucked in opposite Boots; the bus depot long since asset stripped. All about is antique, for sale decay. Air brakes sink to accommodate the weight of new out bound riders. 
Localism diminishes with every slap of overhung branch on windscreen.

vii.2012

CHECKLIST AT FIFTY-SIX (a self-portrait)


The numbered years now equal
the year when they began,
and making notes with pint and smoke
I am that peevish holotype,
a jaundiced also-ran.

Who, waging war against decline
of mental arithmetic,
calculates mean speed from mileage
in rummaged margins found:
my pocket diary rubric.

This is not to mention skills
in map-reading. Still less the rot
of nouns press-ganged to verbs
and moral obligation to recycle
each last yoghurt pot.

Or sudden nostalgia for stuff
extinct: telephones made from string.
Coal bunkers, gabardine macs,
slide rules and sealing wax –
is nothing worth forgetting?

Sore eyes struggle to frame it all,
with softening focus begin
to accommodate the tide,
receding with hair-line
as favourite jumpers too wear thin.

And plan to leave my body
to science got rejected –
like part-decoded item
in the bagging area,
its scan was unexpected.

Unstable with drink one-legged
I play spin bowler’s flight;
pay back the cost of my overs
in late order singles, eked out
by cloth-eared guile of hindsight.

My fingerprints are lines
haunted by mixed metaphor;
they strive for purpose of turbine blades
yet come to savour, as old men do,
life’s bitter flavour.

  iii.2013

 'Dancing outside the box' - with thanks to Audi Maserati


CRABWISE


Crouched around the rim, in clusters,

kids with buckets. Wordless,

I watch a tussle of wits.

 

They’ve come equipped, these hunters,

brought string and safety pin.

A bolt becomes makeshift sinker,

 

and bacon is saved to bait

their bottom dwelling prize.

Stalk-eyes see the would-be catch,

 

alert to a murky rip-off.

Risk is palpable, approached

through stealthy pincer movement.

 

Two schools of landing coexist:

some jerk and swing, flailing

in search of an instant answer,

 

others draw their lines patiently

by inches to the surface.

The day’s take plays scrabble,

 

captive in some plastic prison.

Canoe Lake strollers pause and peer,

in a barnacled mantle

 

make out the moon’s crust. Maybe.

Or count lost legs of veterans -

regrown at moulting season

 

like veins around a tumour.

Afternoon, and ice-cream,

bring this contest to a close.

 

Tipped out across a concrete page

my jottings scuttle to the edge,

spill over and sink without trace.


ii.2002
 
Away With Words, Portsmouth Poetry 

SHIPPING MOVEMENTS (Portsmouth – Isle of Wight)


Embarkation:
“Go now while you can” toilet trips,
and pointless rummaging
for items unlocated,
pass the queuing time.
Cycles racked and bungee strapped.
Roofboxes. Caravans.
Waiting on drivers and their rigs,
phalanxes of freight.
The sweet fume of petrol
undercut by salt tang.
With evening, clouds close in
and neon rips the broken light.
Gulls bicker for scraps on tarmac.



For twenty years my father came this way
watching warships, noting their numbers;
through cold war to détente, and back,
naming the gunmetal greys:
British towns and Greek goddesses.

On a ship’s rail leaning, looking back,
I fathom their allure; picture
his teenage ear lent to a crystal set,
construing the enemy:
Graf Spee, Bismarck, Scharnhorst, Tirpitz.

He never went to sea: signed up
to navigate the skies instead;
was transferred when gliders flew no more,
and ended up in Varna, spying
on a Black Sea fleet at anchor.

Decades on, like some ghost of a frogman,
rudiments of Russian picked up then
found recalled usage, translating
the Hammer and the Sickle,
when Obraztsovy was in port.

Daily ferried by three sisters -
Southsea, Brading, Shanklin - and bearded
in naval fashion, he stands:
pint in hand at bar, sustaining a sense
of other tongues, other islands.



Cast off and underway:
tricolours and Union Jacks,
grubby both, flap loosely.
Cranes salute, point skyward
alongside missile launchers;
who, fresh back from the Gulf
triumphant but empty-handed,
line the wharves.
And now gulls crowd
the detritus-churning wake:
in our turning manoeuvre
rich pickings, below the surface.

vi.2005